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Artistic Language of Traditional Chinese Painting

Artistic Language of Traditional Chinese Painting

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Recieved: 05/12/2025

Accepted: 10/10/2025

Published: 01/30/2026

Keywords: traditional Chinese painting, artistic language, symbolism, empty space, evolution of styles, national identity, semiotics of art

Available in the on-line version with: 30.01.2026

To cite this article

Zhao Xinxin Artistic Language of Traditional Chinese Painting. // Theory and History of Art. 2025. N 4, p.99-106 https://doi.org/10.55959/MSU2411-0795-2025-4-06.

Сreative Commons Atribiution - NonCommercial 4.0 International (CC BY-NC 4.0)
This work is licensed under a Сreative Commons Atribiution - NonCommercial 4.0 International (CC BY-NC 4.0)
N 4, 2025

Abstract

The article offers a comprehensive analysis of the artistic language typical of traditional Chinese painting, highlighting its unique semiotic and aesthetic characteristics. It explores how spiritual meaning is conveyed through the technique of free brushwork, the intentional use of empty space, and the profound symbolism of key motifs such as the lotus, peony, dragon, and phoenix. Particular attention is paid to the evolution of styles and techniques reflecting the transition from primitive forms to complex expressive compositions, as well as the role of traditional art in shaping national identity.

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