ISSN 2411-0795
ISSN 2411-0795
En Ru
Alexander P. Lobodanov's Monograph "Leonardo da Vinci: Set Designer, Musician, Artifex": Reflections on the Work

Alexander P. Lobodanov's Monograph "Leonardo da Vinci: Set Designer, Musician, Artifex": Reflections on the Work

Recieved: 06/05/2025

Accepted: 06/19/2025

Published: 06/30/2025

Keywords: Leonardo da Vinci, stage design, Renaissance, semiotics, music, art, history of art, theatre, painting, aesthetics, iconic ensemble

Available in the on-line version with: 30.05.2026

To cite this article

Bogomolov A.G. Alexander P. Lobodanov's Monograph "Leonardo da Vinci: Set Designer, Musician, Artifex": Reflections on the Work. // Theory and History of Art. 2025. N 3, p.84–107 https://doi.org/10.55959/MSU2411-0795-2025-3-05.

N 3, 2025

Abstract

Last year, the collection of books on art studies in Russian was enriched by an important scientific research work: the monograph by Professor Alexander P. Lobodanov, Dean of the Faculty of Arts at Lomonosov Moscow State University, titled "Leonardo da Vinci: Set Designer, Musician, Artifex".

This paper outlines this work, serving both as a detailed commentary and a personal reflection on the insights derived from the study. The author of the article intentionally avoids the term 'review', as the idea and intent of the paper is not to review and critique, but to respond to the significant research, which offers a fresh perspective on the image of the great Italian master, which remains largely unknown to the Russian-speaking audience.

The purpose of the paper is not to clarify or expand upon the ideas presented in the monograph, but rather to broaden the discussion of specific topics raised within it. Due to the limited scope of this paper, only a few key issues will be selected, those that seemed major to the author's viewpoint.

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