Filippov Alexander A.

The article examines Glinka's creative perception of the achievements of Italian romantic opera of the 1810–1830s. The significance of Glinka's stay in Italy and the perception of the operas of Bellini and Donizetti in communication with the authors and performers is noted.

Most of the operas of Rossini, Bellini and Donizetti are analysed, the patterns of their dramaturgy and structure are noted. The most important for Glinka were introductions and finales, as well as the traditional form (solita forma) of solo numbers. The use of the canon-cantabile before the stretta in the finales of Act 1 is emphasised. The use of Italian principles is shown in Vanya's scene from "A Life for the Tsar" and in three arias of "Ruslan". Glinka found new opportunities in the use of reminiscences.

Italian traditions became an important support for Glinka, which helped the composer build the grandiose buildings of his two innovative operas.