Nadezhda A. Dogorova

The problem stated in the scientific article is an issue in the philosophy and psychology of art and is part of the general reasoning about creative thinking in the history of culture. Nevertheless, it reserves the obvious fact of its insufficient elaboration in the field of choreographic art, as well as in the system of dance activity at different stages of cultural and historical time.

The author believes that the task of the anthropological vector of the study of the language of physicality and thinking in dance is not similar to the traditional art criticism analysis. It is solved in completely different ways. The article is based on the methodology of cultural-historical and art criticism analysis of generally accepted scientific definitions and concepts of choreographic art, but builds a new vector in dealing with them.

The author comes to the conclusion that the basis for understanding the subject of choreography is thinking and its connection with the language of physicality in dance. In this regard, anthropological interpretations are another meaning of the quality of choreographic knowledge, which, firstly, allows us to reveal the methodological potential of the Russian school of art criticism from the perspective of modern multifunctional discourse. It is a kind of search for a balance between the physical, mental and sensual components in the language of physicality. Secondly, it allows us to bring to the identification of the specifics of the spatio-temporal organization of dance and to define this connection with thinking as an informative (polysemantic and architectonic) field of ability.

As an important intangible cultural heritage of China, Mongolian dance showcases the unique cultural identity and humanistic artistic connotations of the Mongolian people. This article explores how to achieve the clever integration of traditional and modern elements in Mongolian dance creation, as well as the impact of this integration on cultural identity and artistic innovation. The cultural identity and artistic innovation in Mongolian dance creation are interdependent and mutually reinforcing. Under the clever fusion of traditional and modern elements, Mongolian dance not only maintains its uniqueness, but also showcases the charm and charm of the times.

This creative approach provides a feasible path for the inheritance and development of Mongolian culture, and also serves as a reference for other ethnic dance creations in cross-cultural exchanges. As an indispensable part of China's cultural development, Mongolian dance art should be closely integrated with the expectations of the Party and the state for the literary and artistic cause. In the process of creating Mongolian dance, cultural identity should be fully reflected in form, content, theme, and spirit.

At the same time, by combining modern social development concepts and utilizing advanced artificial intelligence technology for comprehensive innovation, we can effectively promote the prosperity and development of Mongolian dance, and effectively inherit and protect the traditional culture of dance art.