Evgeniya A. Korshunova

The article analyzes the intermediate components of S.N. Durylin's articles from the period of his work at the State Academy of Art Sciences: «Landscape in the works of Dostoevsky» (1926), «Cimmerian landscapes Max.Alex.Voloshina in verse» (1927). In these theoretical articles, the author shows how the problem of intersemiotic correlations can be solved by analyzing the language of literature with the language of painting. S.N. Durylin consciously avoids describing figurativeness by means of literary studies alone, when considering the ontological landscape of oblique rays in the works of F. M. Dostoevsky, he tries to attract the tools of painting and creates a landscape symbol.

Thus, the writer implements the idea of showing a dialogue between two arts, where the languages of the two arts, without merging, but synthesized in a special way, become a declaration of intermediality. S.N. Durylin demonstrates intermediate correlations at the level of projection of conceptual models of one art form into another (sound painting, landscape remark, landscape symbol, landscape frame, etc.).

The writer sought in the process of analysis to create such a specific language that would take into account the meanings of a multi-layered artistic statement. The appendix to the article for the first time publishes theses and debates on the report of S.N. Durylin «Landscape in the works of Dostoevsky» based on the materials of the Russian State Archive of Literature and Art.